Monthly Archives: May 2010

Danzing/Rollins Slash Comic. What Is This I Don’t Even.



“Henry and Glenn are very good ‘friends.’ They are also ‘room mates.’ Daryl and John live next door. They are satanists.”

Danzig And Rollins sitting in a tree K-I-S-S-I-N-G.

If ever there was a more mind boggling music based comic than one featuring a romace between Glen Danzig and Henry Rollins – please point it out in the comments.

Rollins is amused by this. Danzig, well – I guess he hasn’t seen it yet.

You can buy it here. If you want. I’m not sure.

(yes I’m going to buy it.)

Bolt Thrower/Rotting Christ/The Rotted – ULU, London


May 2nd, ULU – London

The Rotted

The Rotted

As befits a holiday weekend, it’s pissing down in London, so the DT staff hole up in a nearby pub and arrive late at University of London Union’s cavernous main hall just as The Rotted take the stage. While the banter is upbeat and the musicianship tight there’s a definite feeling that the band may be ploughing a rather dull furrow, their attempts to form a death metal conga line dredging up uncomfortable memories of 80’s chancers like Xentrix or Tortoise Korpse. Musically it’s a slightly odd mix, with black metal drums backing up some thrashy death and a very British sense of humour unfortunately undermining their credibility. They’re solid and spirited but ultimately unremarkable, meaning we quickly return to the merchandise area/bar/school hall area, avoiding a gigantic, very pissed skin in a Rudimentary Peni shirt in our efforts to locate a BT shirt that isn’t in XXXL size. This doesn’t exist, but luckily Greek titans Rotten Christ turn up to break the tedium.

Rotting Christ

Rotting Christ

While their move from the crawling evil that typified their early sound (and was far more appropriate to the band name)into the anthemic, gothed up festival sound they currently sport doesn’t always make sense on disc, in the live arena it makes them Christ a force to be reckoned with. Huge, swelling sound and chanting broken by those distinctive uro-centric barking vox and soaring solos. RT are a fist-pumping, festival-friendly crowd pleaser that magically lure every female in the room to the front while managing to keep up the spirits of their boyfriends back at the bar. A solid performance and the best sound of the day.

Another hour of dork watching, drinking and bemoaning the closure of the Astoria to all and sundry passes amiably enough, until that lost-but-not-forgotten opening theme strikes up and Bolt Thrower amble onto the stage, all happy faces and friendly waving at odds with the crushing war machine image and ridiculous stained glass logo.

Bolt Thrower

Bolt Thrower

It’s hard to believe everyone’s favourite Warhammer obsessed brummies have been absent from the live scene for the best part of a decade, so anticipation is high. Unfortunately the actual experience can’t compete.

‘The Sound’s Shit’ remarks a punter in front of me, and he’s spot on.

Masters of the run-gu-gud-dada chugalong school of Death, BT are hamstrung by a wobbly, thin mix that no amount of geniality from frontman Karl Willetts can cover. Ultimately we’re left watching some good natured midlanders wandering around the stage, classics like Kill Chain failing to connect –or occasionally even reach – all of the audience, leading to a lack of fun down the front and indifference at the back. Sad to say, but it makes the whole thing boring. Bolt Thrower are a great band – professional, fun, drinking-man’s death metal – and they deserve a better venue. Finger’s crossed it’s a one-off and they’ll be back on form for the next campaign.

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