Everything Everything Get Dancey With Us….
Everything Everything are the best British band you haven’t heard of, until now. With the release of debut album Man Alive here is a band everyone can be proud of and they don’t sound anything like Oasis.
Foals and the recent onslaught of bands that lure us in with their charming indie awkwardness and pop hooks is exactly where Everything Everything should sit on your shelf. Yet just as Foals swallowed themselves up in a pseudo-intellectual nightmare along came Everything Everything to make you dance.
Not to tarnish them with cool art-rock expectations too soon, but quirky is a word that comes to mind. ‘Photoshop Handsome’ starts off with 8-bit Nintendo sounds and morphs into all four band members melodically singing about being airbrushed in schoolboy style rounds.
The album opener and re-released single ‘My Kz Ur BF’ is a sure-fire club hit demonstrating the bands penchant for dark lyrics “and I haven’t seen the body-count lately but looking at your faces it must have been bad” and sing along choruses.
Everything Everything’s sound is at odds with itself, they are a definite product of the digital age and yet somehow it all manages to sound very natural. Any song would sound at home on Radio One and ‘Come Alive Diana’ could be an Interpol song if half way through it didn’t have a laptop induced breakdown. The production brings a clean, layered, almost angular sound to the album which is reminiscent of Minus The Bear’s icy math-rock.
Just as your giddiness has peaked out come the ballads ‘Nasa is On Your Side’ and ‘Tin (The Manhole).’ While the sentiment is a good addition to a great album, at four minutes plus the return to sharp electro for finale ‘Weights’ is welcoming.
Everything Everything and Man Alive are insatiable. If you don’t tap your feet or attempt to sing to nearly every song on this album then you’re probably dead.