NewsGush: Death From Above 1979 To Reform!


Because we’re bunch of miserable bastards who spend most of our time listening to Tokyo Doom Jazz and shouting at people, it’s pretty rare that a musical event causes any stirring in our jaded muso loins here at DT towers, but even we were heartened this morning as we learnt that our very favourite band ever to play in London’s tiny Crobar are set to get it on again. Here’s the press release that appeared on :

Jesse and I have decided that what we can do together should not be denied.
Together again, as was always the intention, as a collaboration.
The collision of two different worlds.
As this all takes shape, we will reveal it to you.
All of it happening, as it always has, in our own way.
Thank you all for sharing in our excitement!


they love each other really...

they love each other really...

So, there you have it, theelephant-faced synth-shout duo are back, hopefully in an attempt to teach Hackney/Village hipsters that not all two piece bands have to sound like Gary Newman….

Here’s to sexy results.

Christmas #1’s – The Battle Of The Charts


Christmas is once more upon us and this year its evil tendencies are back. SNOW has once more gripped the nation and descended us down to the seventh layer of hell where all anybody can speak about is SNOW and the real point of this whole entry, Simon Cowell’s minions with microphones have bludgeoned their way to the top of the charts. This ladies and gents is Christmas 2010, just like every other Christmas, except newer.

This entire post is basically an excuse for Interceptor to post yet more pictures of Cliff...

This entire post is basically an excuse for Interceptor to post yet more pictures of Cliff...

Last year the world breathed a massive sigh of relief when the first proper ‘chart battle’ in what feels like forever came to a satisfactory end. I say the world, because people who disagree with Rage Against The Machine winning are wrong and don’t count as part of functioning society. Yes Christmas 2009 was an anomaly, being the first in years that one of Simon Cowell’s minions with microphones didn’t top the charts. It will probably be the only year in modern history that real musicians hold the position.

Facebook campaigns were started this year, but it just didn’t have the spirit behind it. With three different campaigns going it just wasn’t organised enough to stop the force of mainstream Saturday night T.V. and Matt Cardle bludgeoned his way to the coveted spot with ‘When We Collide’ originally ‘Many Of Horror’ by Biffy Clyro.

He has now apologised to fans of the band for ‘ruining’ the song, personally I think he should apologise 439,000 times, one for each copy sold. There isn’t even really much to be said about his cover of the song. He’s just sort of stripped away everything that was interesting, to make it boring successful pop. Good for him. Of course I say him, what I really mean is a team of professional writers hired for the occasion. ‘When We Collide’ does now have the biggest weekly sales for any single of the year, excluding those for charity, which x-factor also won, to my surprise and delight.

It’s no surprise to anyone that x-factor wins every year and god knows it shouldn’t be a surprise. Apart from the fact that we are a nation of idiots who are spoon fed drivel and lap it up like kittens do milk, this program has a prime time spot on a Saturday night for three months of the year, coincidentally the three months just before Christmas. People have heard these songs for weeks on end and voted for their favourite, now if everybody that voted for Matt Cardle to win bought his single then these sales figures would undoubtedly be much higher, so let’s just assume that somebody realised what they had done and banged their head against a wall for three minutes instead of buying his single shall we?

Fig 1: Who would you rather go to a party with...actually...wait...don't answer that...

Fig 1: Who would you rather go to a party with...actually...wait...don't answer that...

On the plus side of all this winter chaos, Biffy Clyro have had a great year. The very fact that an X-Factor winner is singing their song says a lot about how far they have broke into popular culture. They appear to be becoming Radio favourites these days, they must be the new Muse or something. One of the numerous anti X-Factor campaigns was for fans to just buy the original and they managed to get Biffy to number eight in the singles chart, not too shabby. Mon the Biffy!

So goes another Christmas, with its terrible weather and terrible soundtrack. Last year may have offered some hope, but it was all a mirage to shelter from the cold.

Is anybody even sure why they care about Christmas number ones? Look at the past winners, barely any of them are actually relevant to the holiday period. Bob the Builder got it in 2000 BOB THE BUILDER. That’s not even real. If Matt Cardle has got any other number one single of the year, nobody would care, but it’s Christmas and for some reason it matter.

Remember when Mad World won? That was a good year.

Tron Legacy Soundtrack: Daft Punk


A Daft Legacy

With the release of the highly anticipated Tron: Legacy on December 17th it’s only fair that its unique soundtrack by French DJ’s Daft Punk gets the same treatment.

It seems only right then that the DJ’s who made their name in the 90’s house scene started their careers with a meeting a Euro Disney. Their unique brand of future-house-techno, as I’m labelling it, took the world by storm with such singles as ‘Around the World’ and ‘Technologic’ and their even more unique ‘style’ on stage is a uniform of leather suits with helmets shielding them from the rave happy crowds. Helmets you say? That sounds familiar. Yes Daft Punk are those guys that look they should have been in Tron. How perfect then that they happen to create music that suits the tone of the film like Cinderella’s slipper fits her own foot.

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Jimmy takes a bite out of Manchester…

Knowing that Minus the Bear were supporting I had been excited about the gig for a long time and thus arrived early not wanting to miss anything. I don’t know if anyone has ever turned up to a gig at doors opening time, but I hadn’t before and it was a sight to behold. I was a bit shocked at the cleanliness and spaciousness of the Academy (which is much bigger than you think.) Luckily it paid off as drinks are half price till half 8 which worked out at treat, two cans of Red Stripe for £3.80 I think so my friend.

Arriving early is also an excellent idea for all us small people that populate the planet because it means you can see, which isn’t essential to the music, but you know, it’s a nice part of the gig-going experience since you paid 20 quid for a ticket. I still managed to miss what everyone chuckled about during the support set, but whatever it was probably shit anyway.

Review – My Chemical Romance:Danger Days


My Chemical Romance’s latest effort isn’t so much an album release as a well orchestrated apocalyptic art event. With the advent of listening parties the band last night offered fans worldwide an exclusive preview of the album as hosted by the elusive Dr. Death Defying.

Apparently this is the bands departure from concept albums, but you tell me, fans are ‘killjoys’, areas are ‘zones’, enemies are ‘draculoids.’ Now personally I don’t care about this, they are great at what they do and this whole new world is utterly engrossing, so why change? Though this is still a concept album, it’s a massive leap from their previous sound with everything bright, poppy, and dripping electro from its very core.

Within the first three songs two singles are showcased. The world has already heard ‘Na Na Na’ and is undoubtedly sick of having it infused in their brains, but ‘Sing’ is relatively new and I’m sure it will sneak its way into the charts. Structured like a 30 Seconds To Mars song it seems a bit too epic for such an early place on the album, but it does have some more traditional My Chem breakdowns thrown in.

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