Tag Archives: Pop

Live: Hurts

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Hurts, Manchester Academy, 8/02/11

Everything about Hurts is epic. Now I’m well aware that word went out of fashion some point in the history of the world, but Hurts are bringing it back and it’s dressed in a lovely suit too. The only way you could describe this; the last date of their tour in their home town of Manchester, is as epic.

It’s only right then that one of the breakthrough bands of last year be supported by some of 2011’s hottest new talent, Clare Maguire. Maguire sadly is anything but epic. You can’t dislike her, but there just doesn’t seem to be enough passion in the world for me to even care about her. Dull is the word that comes to mind and onstage she is exactly this. She has a great voice and can belt out a tune there’s no denying, but then so can anyone from the over 25’s category on the x-factor. If you lived through the 90’s then you will be able to instantly conjure up what she sounds like by thinking of anyone who had a vaguely popular single that year. She did however wear a nice floaty dress in which you could see her underwear, so that’s something at least, she then proceeded to prance around the stage extending her arms at every available opportunity and waving them around. The audience obviously loved it because they are well dressed cutting edge indie folk who probably saw her perform in the café down the road from them while you were still an embryo.

I should probably now apologise to Clare Maguire and her fans for that sewage that just spewed from my fingers please feel free to leave horrible comments below.

Hurts. Luckily the main attraction offers up a much more delectable product for us to tap our collective and well styled feet to. With not much more than an albums worth of songs to offer up the set started with album opener and synth heavy ‘Silver Lining’ setting the chorus chanting tone of the gig. It’s hard to pick the biggest song of the night when all the songs are this big, but ‘Wonderful Life’ is a strong contender and the audience were always eager to please these local lads. Theo is possibly the best frontman around right now and works the mic-stand like nobody else; it was part prop, crutch, and propeller and allowed for some brilliant leaning which only emphasised key changes and choruses. Not big on the talking crowd-banter was kept to a minimum and clichés somehow avoided, this from the band who sings about rain more than the chart top 100 put together, but when Theo did offer us some pearls of wisdom it came in a northern drawl you just can’t get your head around.

As I’m sure many fans were, like me, upset about the distinct lack of Kylie Minogue the boys decided to throw in a cover of ‘Confide In Me’ to show her what she was missing. It was a highlight of the gig and sounded excellent in a strange Depeche Mode sort of way. They can’t escape the 80’s and to be honest who would want them to. The best summation of the gig I can think of is “They covered Kylie and it was fucking awesome.”

With only a one song encore I had wondered what was left for them to play until ‘Better Than Love’ kicked in with its strong vocal “Every second is a life-time.” Hurts might be good on record, but they are and will become ever greater live;  with all the components coming into play from dazzling light shows, sing-alongs, and stage presence working together to make them an unstoppable force.

With more material on the way Hurts are definitely one to watch.

Computers and Blues

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Review: The Streets- Computers and Blues [Atlantic]

The new The Streets album ‘Computers and Blues’ hits stores tomorrow folks.

The fifth and final album from Mike Skinner has been doing the rounds on the internet for a good few weeks, but finally it’s time for an official release from the man himself. Skinner is “fucking sick” of the name and the connotations that now go with it which is why this will be his last release under the moniker.

Working closely with Rob Harvey, of The Music, this album is unlike anything he has ever done before and showcases the vocal talents of Harvey and BBC sounds of 2011 nominee Clare Maguire. Computers and Blues is brash and in your face, Skinner has done what he set out to do and created an album you can “dance and drink tea to.”

The first single from the album ‘Going Through Hell’ has a great rock dynamic to it from Harvey and the riff running right down the middle of the track. Skinner is great at adapting his style to suit those he works with and in the process getting the best sound for everyone involved. Lyrics are on biting form “imagine the dilemma for the man and his penance if he could get fucked without hanging his health up would this be illegal would the Daily Mail rail on it?”

It’s a shame Skinner feels he no longer wants to be associated with The Streets, it almost detracts from his creations and he is a modern day poet, don’t let anyone tell you different, “I’m pretty good at puzzles, but puzzled by people.” That lyric gets to the heart of the issue, people associate Skinner with things he’s moved on from; i.e drugs. His most accessible album to date could possibly be his best. Die hard fans might complain about the up-beat pop melodies that are at the forefront of Computers and Blues, but Skinner still retains what made him great, an ear for a brilliant beat and a top-notch rhyme.

Lets hope this is only the end of The Streets and not Mike Skinner.

Check out: Without Thinking

Review – My Chemical Romance:Danger Days

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My Chemical Romance’s latest effort isn’t so much an album release as a well orchestrated apocalyptic art event. With the advent of listening parties the band last night offered fans worldwide an exclusive preview of the album as hosted by the elusive Dr. Death Defying.

Apparently this is the bands departure from concept albums, but you tell me, fans are ‘killjoys’, areas are ‘zones’, enemies are ‘draculoids.’ Now personally I don’t care about this, they are great at what they do and this whole new world is utterly engrossing, so why change? Though this is still a concept album, it’s a massive leap from their previous sound with everything bright, poppy, and dripping electro from its very core.

Within the first three songs two singles are showcased. The world has already heard ‘Na Na Na’ and is undoubtedly sick of having it infused in their brains, but ‘Sing’ is relatively new and I’m sure it will sneak its way into the charts. Structured like a 30 Seconds To Mars song it seems a bit too epic for such an early place on the album, but it does have some more traditional My Chem breakdowns thrown in.

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Review: Everything Everything – Man Alive

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Everything Everything Get Dancey With Us….

Everything Everything are the best British band you haven’t heard of, until now. With the release of debut album Man Alive here is a band everyone can be proud of and they don’t sound anything like Oasis.

Foals and the recent onslaught of bands that lure us in with their charming indie awkwardness and pop hooks is exactly where Everything Everything should sit on your shelf. Yet just as Foals swallowed themselves up in a pseudo-intellectual nightmare along came Everything Everything to make you dance.

The boys were sad to find that their vanishing cream was a little too effective...

The boys were sad to find that their vanishing cream was a little too effective...

Not to tarnish them with cool art-rock expectations too soon, but quirky is a word that comes to mind. ‘Photoshop Handsome’ starts off with 8-bit Nintendo sounds and morphs into all four band members melodically singing about being airbrushed in schoolboy style rounds.

The album opener and re-released single ‘My Kz Ur BF’ is a sure-fire club hit demonstrating the bands penchant for dark lyrics “and I haven’t seen the body-count lately but looking at your faces it must have been bad” and sing along choruses.

Everything Everything’s sound is at odds with itself, they are a definite product of the digital age and yet somehow it all manages to sound very natural. Any song would sound at home on Radio One and ‘Come Alive Diana’ could be an Interpol song if half way through it didn’t have a laptop induced breakdown. The production brings a clean, layered, almost angular sound to the album which is reminiscent of Minus The Bear’s icy math-rock.

Just as your giddiness has peaked out come the ballads ‘Nasa is On Your Side’ and ‘Tin (The Manhole).’ While the sentiment is a good addition to a great album, at four minutes plus the return to sharp electro for finale ‘Weights’ is welcoming.

Everything Everything and Man Alive are insatiable. If you don’t tap your feet or attempt to sing to nearly every song on this album then you’re probably dead.

Hotel St. George Make A Badass Video.

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Occasionally I get sent mail from bands who want me to review their stuff, or embed their video or say nice things about them for some reason. I don’t often do it because on the whole, they are depressingly boring.

But yesterday I got an email that contained this…

We made the video ourselves and it’s basically a battle between a robot and a wizard (homemade costumes). In the video there are fireballs, russian roulette, sword fights, massages, a dog with a cape, breakfast etc…..

It’s actually pretty badass!

And I knew I was onto a winner. I love the fact that they follow ‘a dog with a cape, breakfast’ with ‘etc’ – Yeah, that’s right you know, dogs with capes, early morning meals, the usual, you can sort of guess what’s next… Brilliant.

This came from a genuinely delightful indie pop band Hotel St. George

I checked out the video. It did indeed include all the aforementioned stuff and defiantly rates as ‘badass’ The video reminds me of staying up til 3AM watching videos on MTV2 to try and find something new to impress my friends with.

Which is good.

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