Tag Archives: Review

Review – My Chemical Romance:Danger Days

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My Chemical Romance’s latest effort isn’t so much an album release as a well orchestrated apocalyptic art event. With the advent of listening parties the band last night offered fans worldwide an exclusive preview of the album as hosted by the elusive Dr. Death Defying.

Apparently this is the bands departure from concept albums, but you tell me, fans are ‘killjoys’, areas are ‘zones’, enemies are ‘draculoids.’ Now personally I don’t care about this, they are great at what they do and this whole new world is utterly engrossing, so why change? Though this is still a concept album, it’s a massive leap from their previous sound with everything bright, poppy, and dripping electro from its very core.

Within the first three songs two singles are showcased. The world has already heard ‘Na Na Na’ and is undoubtedly sick of having it infused in their brains, but ‘Sing’ is relatively new and I’m sure it will sneak its way into the charts. Structured like a 30 Seconds To Mars song it seems a bit too epic for such an early place on the album, but it does have some more traditional My Chem breakdowns thrown in.

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Bon Jovi & Kid Rock – The O2 -23/6/2010

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Thanks to the lovely people at Best Buy we find ourselves enjoying a tasty meal in the VIP area of the O2 before the show. It’s all very civilised and grown up, very fitting for a band now a mainstay among parents rather than their rebellious offspring. Bon Jovi are certainly an institution, so let’s see how they fair in a giant dome crammed with their rabid fanbase. (Hint- they do well)

But to get to Bon Jovi, we must first endure Kid Rock. His blending of terrible rap and even worse country-metal music was at least slightly relevant back in the bad old days of nu-metal. He’s not even that any more. He’s a dinosaur. He has become bloated (musically – he still looks like a trailer park meth addict) and needs to be hit by some kind of metiorite. Or a truck. I’m not bothered.

Swaggering around the stage in a series of stupid hats, backed up by a band of clearly talented, but slightly bored looking musicians, he plows his now almost exclusively country furrow to a venue that is not interested. People are here for Bon Jovi. Kid Rock is like an excitable muzak tannoy, allowing people to take their seats without silence.  At one point he goes around the stage playing all the instruments. This would be impressive if he was good at them, but he plays  to about the same level as a talented teenager in a school-age rock band.

With the audience not exactly warmed by this act, we await Bon Jovi. Best Buy’s corporate box is in a great location, overlooking the stage, but this view is traded off by the most overpriced beer I have ever seen in a venue. £4.80 for a bottle of Becks. VIP – Very Immoderate Prices (Yes, I used thesaurus.com for that)

Bon Jovi hit the stage to rapturous applause – they are note perfect and have an impressive array of age appropreate stage moves – these guys are still in great shape, but no one is diving off a speaker stack or flying over the audience on a harness.  It does seem to be the Jon and Ritchie show though, they get the front of stage, the rest of the band are relegated to the backline with the amps. But still, those two know how to work a stage – and strangely the O2’s stage-space is actually quite small.

Around half way through they bring out special guest Bob Geldof. Thankfully for everyone in the venue he comes on, does ‘I Don’t Like Mondays’ and buggers off. No sanctimonious speeches. Well done. This is a Geldoff I could get to like.

We get a bit of acoustic treatment, and even the inclusion of an accordian is welcomed. Ritchie Sambora sings his song, and we get some of Jon solo. The full gamut is covered.

But. We know that most of the people are here for the big ones. Bad Medicine, You Give Love A Bad Name, Livin’ On A Prayer.  How do they hold up?

Let’s be honest. You love those songs. You’d be lying if you said you didn’t. They are pop rock perfection. And even if you would deny their majesty, after a few pints you would be singing along. I’d put money on it.

They hold up very VERY well. Bon Jovi are not to be fucked with when delivering songs that have made them multi millionaires.  They kick them out with precision and passion and a set of teeth so white they burn your eyes.

I’m a bit jaded and hard to impress when it comes to music these days. I’m a bit of a dick like that.

I was singing along by the end.

Every. Word.

And dancing.

Yeah, they were good.

Bloodstock Open Air Review

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Downtuned returns from the UK’s only proper, longhaired, denim and leather outdoor metal festival with a T Shirt suntan, a beer belly and guts clogged with food served out of caravans.

We saw some music too!

First up – Friday’s bands -

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Review: Dr. Slaggleberry Demo

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With a name like ‘Dr Slaggleberry’ and the above inside-cover-of-a-maths-textbook-doodle-of-a-mad-scientist adorning the cover of this young three piece’s demo, one would expect ‘hillarious’ pop-punk, possibly with a comedy cover of a retro TV theme. Utter shite, in other words. With song titles like ‘Extra Strength Grandma’, my hopes are further destroyed.

Luckily – it’s so far from pop punk, it’s almost on another world.

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Abner Jay: True Story of Abner Jay

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The True Story Of Abner Jay

Every time Portland’s Mississippi Records release a new vinyl side you just know that it’s going to be a killer, but they’ve really outstripped themselves with the magnificent True Story of Abner Jay. Abner Jay was the self-described philosopher, lecturer, composer, author, singer, bone-player and one man band who played to audiences in his home town of Atlanta, Georgia – and all over the USA –  for almost 50 years.

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